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Here is a collection of old favorites from Mother Goose, dressed up with irresistible humor. Illustrating the poems are photos of real animals posed in extraordinary painted scenes, resulting in campy and adorable scenes sure to beguile youngsters and their hip parents. Full color.

• Sales Rank: #496879 in Books
• Published on: 1997-10-01
• Original language: English
• Number of items: 1
• Dimensions: 20.00" h x 20.00" w x 20.00" l,
• Binding: Hardcover
• 40 pages

From Kirkus Reviews
An unusual artistic technique--live animals set against painted backdrops--illustrates 16 Mother Goose rhymes. In ``Old Mother Hubbard,'' a shaggy dog and a few props (broom, child's chair, shiny tin can) have been photographed on a painted background that shows a cupboard mounted on a wall and a few frying pans on pegs, so that it looks like a scene in a play. The tone varies: While most of the paintings maintain a hushed, staged quality, ``The Cat and the Fiddle'' includes a cartoonish dish and spoon that remind readers of the artifice involved. As in Anne Geddes's books, the pictures will be more appreciated by adults than children, and possibly more suited to postcards than for rhymes available in other volumes. (Picture book. 3-6) -- Copyright ©1997, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Charming art, but don't let the title fool you! This book is not appropriate for children!
By Kippy Dalton
I like the art a lot, but the choice of nursery rhymes is twisted and terrible! "Old Mother Hubbard" whipped her children soundly; an old man is thrown down the stairs in "Goosey, Goosey, Gander" for not saying his prayers; a little boy tries to drown a cat in "Ding, Dong Bell;" and in "Little Bo-Peep" the tails of her lambs are hung up to dry, which "made her heart bleed." Just because nursery rhymes are traditional does not mean they are particularly good or need to be republished! I think the artist could have found much more suitable, less violent nursery rhymes to base her art on. I would definitely not recommend this book for children.

15 of 16 people found the following review helpful.
This book is a star
By Megan L van Dam
A gorgeous book of popular nursery rhymes with the real star being the illustrations.
Each double page features photographs of an animal set against a brightly painted background.
My 1 year old son loved this book so much that we had to borrow it six consecutive times from our local library.
From admiring this book he now oinks, barks, quacks and baa's - but we are still having troubles mastering the sound of a koala!
A lovely addition to any child's library - we are eagerly awaiting the reprint.

1 of 1 people found the following review helpful.
Love the pictures and short poems!
By Kelsey
This book is perfect for age 1+. This book has several short nursery rhymes and big, bright, beautiful pictures. My one year old loves this book and pointing out all the animals she knows on each page. The rhythmical lyrics also help her fall fast asleep. :-)

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This introductory calculus text was developed by the author through his teaching of an honors calculus course at Notre Dame. The book develops calculus, as well as the necessary trigonometry and analytic geometry, from witin the relevant historical context, and yet it is not a textbook in the history of mathematics as such. The notation is modern, and the material is selected to cover the basics of the subject. Special emphasis is placed on pedagogy throughout. Whhile emphasizing the broad applications of the subject, emphasis is placed on the mathematical content of the subject.

• Sales Rank: #1275183 in Books
• Published on: 1998-07-17
• Original language: English
• Number of items: 1
• Dimensions: 1.24" h x 8.56" w x 10.05" l,
• Binding: Hardcover
• 545 pages

Most helpful customer reviews

10 of 12 people found the following review helpful.
Finally, a calculus text for the mature student!
By Ken Christenson
I've been wanting to learn calculus for several years now, but at 50 years old I need reasons to stuff even one new idea into an already crowded and reasonably well balanced head. I keep getting distracted looking for context: answers to the questions which always pop up in an older brain trying to make things FIT! And in the standard texts and even books for laymen I haven't been getting my questions satisfactorily answered. Until now.
Thank you Alexander J. Hahn for CONTEXT, CONTEXT, CONTEXT.

13 of 14 people found the following review helpful.
This book succeeds in its important goals.
By A Customer
If you want a sound understanding and appreciation of basic calculus, have a look at Alexander Hahn's "Basic Calculus". An author presenting calculus could seek to impart (A) Proficiency in its techniques, (B) Justification of its methods, (C) Understanding of its principles or (D) Appreciation of its significance in the history of mathematics and science. Many pre-engineering calculus texts do a good job of drilling proficiency and building an appreciation of calculus by showing its utility in scientific applications. It is, however, easy to walk away from a pre-engineering calculus course without an intuitive grasp of the subject, or any sense of why calculus is important in the history of thought. There are also many mathematically oriented calculus texts that present the logical structure of calculus very well. These books stress precise concepts and proofs that were actually developed after calculus had revolutionized the physical sciences. Since the precise justification was developed after the fact, it is clear that one can understand the concepts without understanding the justification. Unfortunately many of formal calculus texts also show that it is possible to understand the justification (follow the proofs) without an understanding of the subject matter. History of mathematics books can convey an appreciation of why calculus was a great intellectual achievement, but they often tell the reader very little about the mathematics itself. There are many fewer books that attempt to convey an understanding of calculus and an appreciation of its significance in the history of mathematics and in science. Hahn's book addresses this neglected area.
Hahn's book has two parts, "From Archimedes to Newton" and "Calculus and the Sciences". The first part focuses on building an understanding of basic concepts and appreciation of calculus as a watershed in the history of mathematics. Hahn starts with Greek geometry and shows its application to astronomy. This serves as a review of some pre-calculus mathematics, as a historical preamble, and as an introduction to a set of problems that become a challenge, motivation, and later an important triumph of calculus. The first chapters paint a vivid "hands-on" picture of an intellectual world in which geometry was completely separate from the theory of numbers and algebra, and where astronomy and mechanics were thought to be literally as different as heaven and earth. These chapters are typical. They teach some mathematical ideas, show why they represent important advances inside mathematics, and illustrate major applications that make them important outside mathematics.
The narrative continues with advances of the late Hellenistic world: trigonometry, conic sections, and mechanics. Hahn then skips nearly all of the middle ages, which though beloved of historians, in the history of mathematics were truly dark ages. He takes up the story again with the early scientific revolution, Copernicus, Galileo, Kepler, Descartes. This discussion shows how the gap between geometry and algebra began to close with the introduction of analytic geometry, and introduces the work on the problems of tangents and quadrature that set the stage for calculus.
The story of the birth of calculus concludes with Leibniz, Newton, and Newton's masterwork, "The Principia", which closes the gap between our understanding of terrestrial and celestial motion. The problem with presenting ideas in the context of their history is that concepts are rarely clear at their inception. This can make the historical presentation murky and unnecessarily pedantic. Hahn avoids pedantry by developing what might be called historical reconstructions of important ideas. For example, Hahn reconstructs both Leibniz's and Newton's presentation of the Fundamental theorem of calculus. His narrative captures the distinctive differences in the two men's approach but the presentation does not do without the conceptual clarity of the notion of mathematical functions, in the interests of historical purity. There is also a good detailed account of Newton's derivation of Kepler's Laws. In this case Hahn's reconstruction goes as far as using Newton's actual diagrams and following closely the steps of Newton's derivation. Students of history of science will find this part of the book very enlightening, and may perhaps even forgive Hahn the practical expedient of using some modern notation.
The second part of the book covers the growth and maturation of calculus, and focuses on building an appreciation of the diverse applications of calculus in the sciences. Hahn starts by covering some of the ideas of nineteenth century calculus that made its concepts precise and its justification sound. However, he considers these ideas only in so far as they help to clarify concepts and aid understanding. You will, for example, find an exposition of why the idea of differentiability is a good analysis of the intuitive idea of the smoothness of a function, but you will not find a proof of L'Hospital's Rule. The remainder of the text discusses applications. Each chapter introduces some new mathematics and then exploits it along with the basic concepts of calculus to illuminate some application area. The applications are essentially the "interesting stuff" that is left out of most purely mathematical texts. The reader will be able to "see" the calculus in the ordinary furnishings of our technical society: Telescopes, Suspension Bridges, Nuclear Reactors, E. coli, Banking, Rockets and Guns.
Part Two builds on the foundation laid in Part One to not only give the reader understanding and appreciation of calculus, but does it in a way that is consistently interesting and enjoyable.

13 of 15 people found the following review helpful.
A really different calculus textbook.
By A Customer
Calculus has traditionally been the window through which college students first glimpse the intimate relationship between mathematics and the physical sciences. Unfortunately, few calculus textbooks give more than an inkling of this relationship, perhaps because of their author's desire to present the mathematics in full detail and the lack of a common background of scientific knowledge among our students. Alexander Hahn's Basic Calculus is a delightful exception; here, calculus is developed as the thread uniting the solution of historically important scientific problems by the likes of Archimedes, Ptolemy, Leibniz, and Newton. The scientific applications are not only of historical interest; they include potassium-argon dating in geology, modeling the forces and the motion of a bullet in a gun barrel, examples of mathematics in microeconomics, and even a thoughtful discussion of cosmology. The scientific ideas are developed in far more detail than is customary in mathematics textbooks. Each is presented as a story---the problem is placed in a historical context, including vignettes of the people involved; then the student is led through the basic science and the associated mathematical analysis, using technically accurate data.
The exercises at the end of each chapter are unusual too. After a few routine skill-building problems, the remainder pose small scientific problems to extend the discussion in the text. Students who work through any one of the many scientific topics Hahn treats in this way, working the associated exercises, will feel a justified sense of accomplishment. And in the process they will gain an accurate sense of how calculus developed and how it continues to play a key role in science and engineering. This fall my college has been debating how to structure the science component of our general education requirements, and if our entering students had enough mathematical preparation to profit from a study of calculus, I could not think of a better way to introduce them to science and mathematics than through a course from Hahn's book. This book would certainly be my choice of text for an honors course. I would expect it to convert some students who had planned on another major field of study to change to science or mathematics, and those who did not change their plans would still have a lasting experience of the attraction of the scientific enterprise.

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Even more of the most beautiful and successful Formula 1 race cars in history, presented in a way they have never been seen before. Formula 1: the pinnacle of motorsports. This is the world's most popular form of racing, featuring the world's greatest drivers competing in the most technologically advanced cars ever created, machines designed and built by some of history's most brilliant engineering minds. For the original edition of Art of the Formula 1 Race Car, master automotive photographer James Mann brought a selection of these spectacular machines into the studio, portraying not just their engineering brilliance, but also their inherent beauty-- the fascinating results of Formula 1's mix of competition, creativity, and human ingenuity has made these vehicles into works of art. Now, in this new and updated edition, Mann has gone behind the lens once again to bring you even more of history's most astounding racing vehicles, from the Alfa Romeo 158 that carried Giuseppe Farina to the first F1 world championship in 1950 all the way through to the present day, with models from Maserati, Mercedes-Benz, Lotus, Ferrari, McLaren, and all of racing's premier Formula 1 engineers. With historical and technological profiles by Formula 1 writer Stuart Codling and insightful commentary from designer Gordon Murray, creator of multiple championship-winning cars, the revised and updated Art of the Formula 1 Race Car continues its tradition as the ultimate homage to the ultimate breed of race car. Discover what Road & Track magazine called "the perfect blend of pictures, analysis and the racing history of these remarkable racing machines."

• Sales Rank: #234718 in Books
• Published on: 2014-05-15
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.00" w x 11.50" l, 3.45 pounds
• Binding: Hardcover
• 240 pages

About the Author

Journalist and broadcaster Stuart Codling has worked in motorsports for over a decade, covering sports cars in the United States before joining F1 Racing, the world’s best-selling Formula 1 magazine. He has ridden pillion with World Superbike Champion Neil Hodgson, gone snowboarding with (former) FIA President Max Mosley, and been sworn at by ex-Ferrari F1 driver Eddie Irvine. He has appeared as an F1 expert on TV and radio, has hosted for Renault F1, and contributes to F1 Racing, Autosport, and Autocar. He is the author of the Motorbooks bestsellers Art of the Formula 1 Race Car and Real Racers. Read more about him on his website: www.stuartcodling.com.

James Mann is one of the world's leading car and motorcycle photographers, with more than 20 years of experience shooting for enthusiast publications, the motor industry, and businesses around the world. His work has appeared within and on the covers of more than 50 books and has provided stunning visuals for numerous magazines, including Classic and Sports Car, CAR magazine, Forza, The Sunday Times, and Automobile magazine as well as being chosen to photograph the British Auto Legends stamps for the Royal Mail. His advertising clients include Aston Martin, BMW, and Toyota, among others. James is the photographer of the Motorbooks titles Art of the Formula 1 Race Car, Form follows function: Art of the Super Car, Art of the Le Mans Race Car and The Art of Ducati. Visit his website at www.jamesmann.com

Stuart Codling is one of Formula 1's pre-eminent photojournalists. His twelve-year career in motorsport has taken him from riding pillion with World Superbike champion Neil Hodgson to snowboarding with FIA President Max Mosley--and being shouted at by Eddie Irvine. He has worked in Formula 1 since 2001, writing for the world-leading magazines Autosport and F1 Racing. This is his first book. James Mann is one of the world's leading car and motorcycle photographers, with more than twenty years of experience shooting for car and bike publications, the motor industry, and businesses all over the world. His work has appeared within and on the covers of more than forty books and has provided stunning visuals for numerous magazines, including Classic and Sportscar, CAR magazine, Automobile Quarterly, Autocar, Motorsport, Automobile magazine, and many others. His advertising clients include Aston Martin, Rolls-Royce, BMW, and Toyota, amongst others. James is the author of the Motorbooks title How to Photograph Cars. Visit his website at: www.mannphoto.co.uk. Stuart Codling is one of Formula 1's pre-eminent photojournalists. His twelve-year career in motorsport has taken him from riding pillion with World Superbike champion Neil Hodgson to snowboarding with FIA President Max Mosley--and being shouted at by Eddie Irvine. He has worked in Formula 1 since 2001, writing for the world-leading magazines Autosport and F1 Racing. This is his first book. James Mann is one of the world's leading car and motorcycle photographers, with more than twenty years of experience shooting for car and bike publications, the motor industry, and businesses all over the world. His work has appeared within and on the covers of more than forty books and has provided stunning visuals for numerous magazines, including Classic and Sportscar, CAR magazine, Automobile Quarterly, Autocar, Motorsport, Automobile magazine, and many others. His advertising clients include Aston Martin, Rolls-Royce, BMW, and Toyota, amongst others. James is the author of the Motorbooks title How to Photograph Cars. Visit his website at: www.mannphoto.co.uk.

Most helpful customer reviews

16 of 17 people found the following review helpful.
Art of the Formula 1 Race Car Is a Great Book
By WAYNE ZUEHLKE
First of all, I must admit that I am not objective about this book because my son was its editor. On the other hand, I have followed and read about Formula 1 racing for forty years and this is one of the best books I have seen. The basic concept is to show the beauty of Formula 1 car designs. To do this, photographer James Mann shot eighteen cars in studios around the UK. The photographic emphasis is on both the overall chassis design as well as details of the engines, driver's compartments, etc. All of Mann's photographs are beautiful. In addition there are historical photos from the era of each car. The cars range from the Alfa Romeo of the first F1 season, 1950, to the McLaren MP4-23 of 2008. Thus it covers the entire Formula 1 era. The text is by Stuart Codling, a highly regarded UK based motorsports journalist. In addition, there is commentary by former Formula 1 designer Gordon Murray. The sum of all of these contributions is a one-of-a-kind book that is both very beautiful to look at and also a very enjoyable read. I highly recommend it.

The first user review says that the technical summaries are "fraught with errors". Well, there are exactly two errors. On page 95, the engine displacement should be 2,993 cc rather than 3,993; and on page 170, the year for the Jordan 191 should be 1991 rather than 1981 (the correct year is included in Codling's main text however).

5 of 5 people found the following review helpful.
Great book, more than what I expected. One of the nicest books I have gotten lately.
By Gregg Hutchings
A beautiful book on Formula 1 cars.
Great layout
Great pics.
I love it!
Very good reference photos for us model car builders
Very much appreciated!
A lot of work went into this book.
Mahalo nui loa!

Gregg Hutchings
Editor/Publisher
Model Cars Magazine

5 of 5 people found the following review helpful.
Loved the book
By Juan Fernandez
Very well designed,the information was very educational and insightful. Would recommend to any Formula One enthusiast.
Two thumps up. Thanks.

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This is a student supplement to accompany:

 

Communicating in the Workplace, 1/e
Thomas Cheesebro, Waukesha County Technical College
Linda O'Connor
Francisco Rios

ISBN: 0136136915

• Sales Rank: #2824701 in Books
• Published on: 2010-07-12
• Original language: English
• Number of items: 1
• Dimensions: 10.80" h x .60" w x 8.40" l, .75 pounds
• Binding: Paperback
• 150 pages

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1 of 1 people found the following review helpful.
communication in the workplace study book
By hardworker
The 1st few sections were missing which is important the rest of the book was fine I was not happy about that I usually recieve better products

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About The Author:
Morris L. Venden is the son of a Seventh-day Adventist evangelist and a third generation Adventist. Elder Venden has pastored in various conferences and colleges and has authored numerous books on religious topics. He and his wife have three children, Lee, Lynn, and LuAnn. His hobbies include backpacking and operating a ham radio.Book Specs

Paper Back
Publisher: PPPA
Printed: 1997
Pages: 90

Table of Contents

Foreword
The Coming Crisis
How to Be Ready
Why the Delay?
The Loud Cry of the Third Angel
It's Going to Rain!
Preparation for the Latter Rain
The 144.000
The Times of Trouble
Without an Intercessor
The Chart

• Sales Rank: #2485258 in Books
• Brand: Brand: Pacific Press Publishing Association
• Published on: 1988-06
• Original language: English
• Dimensions: 8.00" h x 5.25" w x .50" l,
• Binding: Paperback
• 90 pages

Features

• Used Book in Good Condition

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By Jean C. Esposito
The book arrived on time and in good condition. :)

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Five Stars
By David
I read this time and time again

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• Sales Rank: #853235 in Books
• Brand: Brand: Cambridge University Press
• Published on: 2005-03-21
• Original language: English
• Number of items: 1
• Dimensions: 8.98" h x .91" w x 5.98" l, .99 pounds
• Binding: Paperback
• 286 pages

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